The various usages of the adjective are introduced nearly simultaneously in the first half of the 17th century. The literal meaning "of the Goths" is found in the 1611 preface of the King James Bible, in reference to the Gothicke tongue. The generalized meaning of "Germanic, Teutonic" appears in the 1640s. Reference to the medieval period in Western Europe, and specifically the architecture of that period, also appears in the 1640s, as does reference to "Gothic characters" or "Gothic letters" in typography.
Gothic fashion is a clothing style marked by conspicuously dark, mysterious, antiquated and homogenous features. It is worn by members of the Goth subculture. A dark, sometimes morbid fashion and style of dress, typical gothic fashion includes a pale complexion with colored black hair, black lips and black clothes. Both male and female goths can wear dark eyeliner and dark fingernail polish most especially black. Styles are often borrowed from the punk fashion, Victorians and Elizabethans. Goth fashion is sometimes confused with heavy metal fashion and emo fashion.
Cintra Wilson declares that "The origins of contemporary goth style are found in the Victorian cult of mourning." Valerie Steele is an expert in the history of the style.
Goth fashion can be recognized by its stark black clothing. Ted Polhemus described goth fashion as a "profusion of black velvets, lace, fishnets and leather tinged with scarlet or purple, accessorized with tightly laced corsets, gloves, precarious stilettos and silver jewelry depicting religious or occult themes". Researcher Maxim W. Furek noted "Goth is a revolt against the slick fashions of the 1970s disco era and a protest against the colorful pastels and extravagance of the 1980s. Black hair, dark clothing and pale complexions provide the basic look of the Goth Dresser. One can paradoxically argue that the Goth look is one of deliberate overstatement as just a casual look at the heavy emphasis on dark flowing capes, ruffled cuffs, pale makeup and dyed hair demonstrate a modern-day version of late Victorian excess."
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